News / Calendar
Chronology / Other Projects
MADISON NOW / work in progress (2024)
The Post Confinement Travelogue(2023)
Rewind Song (2021)
Rolling (2019)
The Umbrellas of Phnom Penh(2017 / 2018)
Fassbinder, Faust and the Animists (2017)
Dance Portraits - Cambodia (2016)
Asutorito Endoruwaitowith Astrid Endruweit(2016)
Galaxy Khmer / Portrait Series Battambangwith The Cambodian Space Project(2014)
Portrait Series Battambang - Installment 1 (2012)
Burgportraits Vienna(2011)
Portrait Series Rotterdam(2010)
Portrait Series Istanbul(2010)
Death, Dance and Some Talk(2010)
Portrait Series Berlin (2007)
The Biography Remix with Marina Abramovic (2004)
Portrait Series. Alone / Gregoire(2004)
The H.C. Andersen Project – Tales and Costumes (2003)
Portraits 360 Sek (2002)
Total Masala Slammer – Heartbreak No. 5 (2001)
pigg in hell (2000)
Out of Sorts (1999)
Frankula (1998)
Planet Lulu (1997)
Solo with Charlotte Engelkes (1995)
Daniel and the Dancers (1994)
Rough (1994)
Jack’s Travelogue / La Prison des Femmes (1992)
Fast Forward /Bad Air und so…(1991)
Rewind Song (1989)
Pressure (1987)
Return of Sensation (1984)
White Out (1982)
Snapping, Computing and Performing (1981)
Maniac Productions(1975–1979)

White Out (1982)


© Anette Urban
© Anette Urban


Directed by Michael Laub
Lighting Ilkka Volanen
Music Juan Dern, Michael Laub, Maniac Productions
Film, graphical, data and computer engineering Marinka Kordis
Photography Annette Urbach
Technicians Mikael Cohen, Marinka Kordis, Annette Urbach
Assistant production Magdalena Linder, Claes Söderquist
Assistant director and data programming Juan Dern

Performers Alexander, Rebecka Englund, Jarmo Huusko, Marinka Kordis, Michael Laub, Lili Maas, Margareta Petterson, Kalle Söderquist, Gun Öhman

Produced by Moderna Museet (Stockholm)


entré teatertidskrift, Stockholm, 1/1983
We are impressed with a choreographic pattern that is a wonder of precision, and although several of them have repeated the same action hundreds of times, the divergences are so small that the accurately inserted contrasting variations have the effect of unexpected lashes similar to the use of timpani in Hayden’s music. (...) White Out is my ghostlike formula for a broadening of the concept of theatre.